Tag Archives: reading and reviews

Review: Pathway to Love (Radclyffe)

There are times when you can parachute into a series and it will be fine, and there are times – like this – that reading the series from the beginning is almost a requirement to understand most of what is going on, who the characters are, and what their history is. The upside to a recurring cast of characters is that they do have that history, between themselves, with the community, and so forth. The downside is that in books such as this one, there are so very many characters who get page time, that even attempting to give histories would take a lot of time and bog things down. So, no real history is given for the regular characters, only the new addition, and you’re left wondering, assuming you care about all the characters.

This entry features a new addition, Bennett Anderson, an orthopedic surgeon tapped to head up the new sports medicine division at the hospital (which is populated by characters from the previous books). She has signed on for a year contract, but the book makes it sound like the job is meant to be long term. Why have a director of that department for a year if you’re just going to have to start looking for another director almost immediately? That didn’t make much sense to me. Neither does having a Trauma 1 designated hospital in the middle of nowhere, really. Also, this is yet another small town that seems to be overrun by women, or at least the hospital seems to be, and most of them seem to be lesbians. That’s unrealistic, but I let it go because that’s what the genre needs from time to time.

Bennett “call me Ben” Anderson is also a former basketball player, who briefly had a stint in the WNBA, but (her “tragic backstory”, a requirement, because no one can just live an ordinary life) is that she had to leave pro ball because her father was dying, then got better, then died for real, a result of his alcoholism. She went to med school afterwards, and was hired by the hospital.

Courtney Valentine is a resident in the general surgery department at the hospital. Apparently, she’s been a member of the community forever, given her interactions with the other characters, and has a booty call buddy who also works at the hospital. Her tragic backstory: dad was out of the picture growing up. Court first meets Ben when she is walking to the hospital for her shift and finds Ben shooting hoops solo at a playground. Court. Basketball. Get it?

They meet for real at the hospital, and each thinks the other is attractive. Court winds up as Ben’s resident that morning as various cases roll in. They keep evaluating one another as the day goes on. There are approximately a zillion characters introduced at the hospital, most of whom are women, and who a new reader (like myself) will probably have a hard time keeping track of and distinguishing from one another.

At some point, Court is on the Life Flight (or equivalent) helicopter, heading out to a bad car accident. Her cousin is seriously injured thanks to two idiots in their trucks racing (PSA: don’t be an asshole. If you want to compare dicks, just whip them out instead of potentially injuring yourself or others by street racing.) They rush Val to the hospital, and Ben and Court operate to repair Val’s leg.

There’s another subplot about a couple of teenagers working out their first date, and one of those teens is a transman (Blake) who is trying out for the men’s basketball team. There is the usual school bully getting in his face, and a bi football player who wouldn’t mind a date or three with Blake.

Most of the book – about 70% on my Fire – takes place in the 24 hour-ish period that opens Court and Ben’s story. There is no real middle to this book, and the requisite disagreement/issue between lovers/Major Thing/”dark night of the soul” that would inhabit the end of the middle and lead into the final act takes up about four pages – and once again, it’s an issue that could easily be solved by the two characters just talking to one another. The last 30% is rushed, which for some reason seems to be a trend of many of the books I’ve read lately. Ben and Court get their sexytimes on, having gone from “hey, she’s attractive and nice” to “take me to bed, you hunka hunka burning love” in next to no time. I suppose that’s a little better than instalove/instalust meet cute thing, but it’s a little jarring because all we’ve seen of their romance, such as it is, has basically been in the course of less than a week.

And suddenly, it is about a month later! We don’t know this because we get some kind of clue to that or a chapter heading that says it from the author – we only know it because there’s a surgery referenced that took place a month ago. The two mains have moved in with one another, and they’re happy, as required by the genre.

What we do not get is anything more on any of the other characters, like Blake. Given the prominence of the basketball tryouts in the book, I wanted to see how things were going, since we’ve jumped ahead a month. How did Blake’s date go? Is the hot football player still flirty? Did Blake make the team?

It may not be Cecil B. DeMille and his cast of thousands, but there are far too many characters given page time here. Maybe leaving some threads undone is common in this series, but I’m not a fan of introducing a bunch of characters and focusing on them as much as or more than the main characters and it is disappointing when toward the end, the only thing we’re really seeing is the two mains and the sexytimes that go with the nectar of new love.

No sex until the end, but it is slightly graphic in each episode if one of your metrics is that point.

Only two stars of five on this one from me. Sorry, the way the story was told and the pacing just put me off. Hats off for no snapping of necks (“her head snapped up”) in this one, though.

Thanks to Bold Strokes Books and NetGalley for the reading copy.

Review: The Appeal (Janice Hallett)

A very real warning up front: if you do not care for epistolary novels (stories told primarily in the form of letters, emails, and other documents), you will absolutely not like this book.

On the other hand, if you’re a fan of, or at least welcome to, the epistolary novel, as I am, and have the patience to keep track of all the characters and the details of the story itself, you will be well rewarded by an outstanding debut novel that is almost perfect and told entirely in documents alone.

The setting is a small town in England, and the story begins with a legal team introducing documents, so we know we are are actually closer to the end of the story than the beginning. We then dive into the tale from the beginning (documents-wise), where a small theater troupe is about to cast and present a play. One of the members, however, has gone MIA, and several people are emailing wondering what’s happening.

The truth is sad: his granddaughter has been diagnosed with a particularly aggressive form of cancer. There is a very new and experimental treatment the family wants to try, but it’s very expensive. There is some fundraising, but also people skeptical of this treatment. Eventually, someone winds up dead, and that’s when the book ramps up.

I won’t go further into details about the plot from there, as it’s much too easy to get into spoilers. I will name the one quibble I have with the book: someone presenting documents of a case is expected to weed out the things that are not particularly relevant to the incident under investigation, and there are a few too many of those still left in that don’t add anything to the story.

Beyond that, it’s a twisting, surprising case, and well worth a read.

A solid four out of five stars.

Expected publication date: January 25, 2022

Thanks to Atria Books and NetGalley for the reading copy.

Review: Humbug (Amanda Radley)

Humbug is both an opposites attract and an age gap romance, and I use the term “romance” loosely Ellie Pearce, statistician extraordinaire toiling away as a drone writing reports that have nothing to do with her degree at a very large, eponymous recruiting firm cofounded and run by Rosalind Caldwell, who is seen as an ice queen and who is somewhat feared by the employees who work for her. Rosalind knows Ellie only by her nickname “Christmas Girl”, so dubbed because Ellie is one of those people who keeps christmas year round, her desk a riot of decorations and her music that of the season. But just so we know it isn’t tacky, we’re told Ellie listens to choral music and that she is involved in a christmas chorus each year.

One day, Rosalind comes marching down to the second floor to tell Ellie to pack up her stuff and haul herself up to one of the higher floors. This terrifies Ellie, as she’s deathly afraid of heights. But Ellie does as she’s told, and her new job is to be Rosalind’s assistant and take over the planning for the company christmas party, a Very Big Deal each year. Ellie digs in, only to find the previous assistant has sabotaged everything: canceling all vendors, caterers, and the space they had reserved.

Those looking for instalove will be disappointed. Those looking for some kind of meaningful romance to develop through the book will likewise be disappointed. If it weren’t for Rosalind’s 12-year old daughter, the two of them would rarely speak, and only about business – and mainly about the christmas party. It’s only in the last third of the book that anything really crops up, and as with a couple of Radley’s books I’ve read, the ending feels a littler artificial and a lot rushed. As with those books, I’d have been willing to read a longer book with those threads teased out a little.

I’ll give the book points for no instacure for Ellie’s fear of heights, and points for Rosalind and Ellie’s bestie to give her the experience of the party on the roof without actually taking her to the roof.

Three out of five stars.

Publication date: December 14, 2021

Thanks to Bold Strokes Books and NetGalley for the reading copy.

Review: On the Rocks – Swizzle Stick Romance #2 (Georgia Beers)

This is the second book in the Martini book series, but it is not necessary to read the first in order to enjoy this. It stands alone just fine.

Grace Chapman is in the middle of a somewhat contentious divorce and her young son Oliver has become the epitome of the problem child. His teacher at school, Vanessa Martini, has called Grace and arranged a parent-teacher conference.

Their first meeting is, thankfully, NOT instalove. Sure, they each think the other is attractive, but Grace feels that Vanessa is judging her because she can’t control Oliver, and Vanessa….seems to actually feel that way, when she finds out the kid is caught in the middle – just as she herself was, when her father left (cue the childhood trauma bell, as now the dad is completely out of her life, even though he still lives in the same town).

Vanessa and Grace wind up in the same place quite often, just by chance, and run into one another several times at martini’s, the bar owned by Vanessa’s cousin. Once out of the parent-teacher school vibe, they realize they are attracted to one another, but Vanessa is concerned about how it would look, ethics-wise, if she started seeing the mother of one of her students. Side note here, from someone who has lived in small towns off and on: even it’s just casual, everyone is going to know. That’s just the nature of small town life.

One day, while Grace is at work at the flower shop, Vanessa pops in and asks her out for real, and Grade’s crusty old boss approves, leaving Grace astonished.

The one issue I have with this is the same I have with most: communication. Grace’s issue with her ex husband’s insensitivity about Grace’s time and possible life could have been solved sooner. After he’s had discussions with both Grace and Vanessa, he does a complete 180 that would please whichever editor at Bold Strokes is in love with peoples’ heads snapping up or around. There’s never a point where Grace has a heart to heart with Oliver, which would have been worth at least a page or so.

They’re adults about getting really involved with one another – UHaul involved -which is a breath of fresh air. They decide to wait until the end of the school year, when Oliver will no longer be in Vanessa’s class.

There are some kisses, and there is some sex, but it’s not over the top graphic if that’s a metric you use to decide what to read.

A solid four of out five stars.

Publication date: December 14, 2021

Thanks to Bold Strokes Books and NetGalley for the reading copy.

Review: Last Redemption – Rick Cahill #8 (Matt Coyle)

Rick Cahill is back, and the poor guy can’t catch a break.

At least here – at least at the beginning -he’s safely ensconced behind a desk, running employment checks for companies and pulling in a regular income from it. He’s also been diagnosed with CTE (chronic, traumatic encephalopathy, AKA head trauma from football) and is experiencing brain fog and missing time, something he has not told wife Leah, who is carrying their first child. He still feels the itch of being in the field, though, running down a case.

So when Moira, his best friend, wants Rick to tail her son to make sure he isn’t violating a restraining order, he doesn’t think twice. Moira is his friend, after all, and tailing someone without interacting with them seems safe enough.

It never is, though.

Rick trails the son and finds out he’s visiting an apartment not just in the same complex in which his girlfriend lives, but directly across from it. What is going on here? When Rick goes to speak to the girlfriend, he finds her dead – murdered in her apartment. When the son’s boss also ends up dead, Rick has to decide whether to tell law enforcement that he tailed the young man to his place of employment during the time stated as the time of death. Moira’s son? Vanished. And the primary suspect in both murders.

The case takes a giant leap here into the investigation, and it is wild, involving a consulting company that has top programmers in its stable, a secret project, competing firms, corporate espionage, and a new technology for screening DNA in search of various conditions so the problematic genes can be “switched off”. That reminded me of <a href=”https://www.goodreads.com/review/show/2502504501″ target=”blank”>this book</a> about Theranos and their “one drop” wonder machine that never worked.

The stakes get higher, and more dangerous, especially for Rick and his unpredictable time losses. Moira finds out by accident that he’s been seeing a neurologist, and insists he tell Leah, or she will. He promises to do so, then promptly breaks that promise when Leah goes out of town for a big design job. He offers excuses to Moira, but knows he must do it, because Moira is a woman of her word.

The last 150 pages are so are terrific: action packed, danger, loose threads pulled together, and an entirely satisfying ending.

Five out of five stars.

Thanks to Oceanview Publishing and NetGalley for the reading copy.

Review: The Younger Wife (Sally Hepworth)

What happens when you dream up some characters, give them what seem to be perfect lives, and then throw them all in a bag called dysfunction? Toss in ambiguous POV storytelling and an ambiguous ending, and you get The Younger Wife.

The books opens with an unnamed POV crashing the wedding of established, respected – revered, even -Dr Stephen Ashford to his much younger second wife. After the vows, there’s a thunk and a scream, and suddenly we are moving back in time to What Happened Before.

Heather, the younger wife of the tile is about the age of Stephen’s grown daughters. Stephen’s wife Pam suffers from dementia and is in a nursing home where she can be tended.

Rachel, the older of the Ashford sisters, is a baker, and hasn’t dated anyone since she was 16. We’re not told why until late in the book (and the end of that intentional dry spell turns out to be Mr Perfect: handsome, witty, understanding. Of course he does.)

Tully, the younger sister, is an obsessive kleptomaniac who engages her compulsion when she is stressed, and she tries to hide the things she takes from her husband by dumping them into charity boxes. Her husband, for his part, has made a disastrous investment and lost a couple of million dollars, so they’ll have to sell their house, sell a bunch of their stuff, and downsize.

Heather grew up in poverty, eventually breaking out of that and eventually becomes a well-regarded an expensive interior designer, which is how she met Stephen.

Stephen and Heather (well, primarily Stephen) spring the wedding news on Rachel and Tully at lunch one day. Not a nice thing to do, and of course they are shocked. The remainder of the book is told from POVs that cycle through the female characters. Secrets and backgrounds are slowly exposed, until we get to the heart of the matter: is Stephen a domestic abuser? The girls seem to think so, sifting through memories, looking at injuries their mother sustained, Heather being involved in a couple of falls, an so on.

Or, is it all in their heads? Are their memories being tainted by their conclusion that he is? This is where the ambiguity comes in.

It’s not possible for the reader to accurately make that determination. The girls do – of course, as otherwise, there would be no ending or explanation as to what happened at the beginning – but for the reader, it’s akin to the Choose Your Own Adventure books: do you take the dirt path and change being eaten by a bear? Or do you take the path through the woods, chancing death by tiger?

What you cannot do, in life or in this book, is not choose.

If you’re a reader who likes a definitive ending, this is not the book for you.

The only thing I noted was a little sag in the middle, and Mr Perfect showing up in Rachel’s life.

Four out of five stars.

Thanks to St Martin’s Press and NetGalley for the reading copy.

Review: Protecting the Lady (Amanda Radley)

Spoilers, ho!

Katherine Lovegrove, a distant heir to the English throne – think higher than two dozen steps – and daughter of judge Michael Lovegrove receives threats from an organized crime family because the latter is about to sentence the daughter of the head of the family to a lot of time in prison.

Eve Webb is a former protection agent, resigning from her job because of a double bombing – one immediate, one shortly after in order to catch first responders to the scene -and because she not only thinks she could have done more (how??) but because of the way information is compartmentalized and she thinks the intelligence services should be sharing information about things like threats of bombings so they can all work together to address threats. I don’t have much optimism about this, no matter how this book ends. She’s living in Tokyo, teaching English here and there and basically barely making ends meet. Her former boss now runs his own show, and goes to Tokyo to get her back to protect Katherine. There’s quite a bit of money involved, so Eve says yes and they return to London. Eve knows nothing about the job, the specific threat(s), or the protectee. You can see where this is going when we find out Eve is a staunch anti-monarchist.

And of course it does: Eve threatens her boss that she’ll quit on the spot because she is opposed to protecting a royal, no matter how distant, but he pleads with her to meet with someone: the judge. After hearing him out, Eve reluctantly agrees to do the job.

Katherine, trying to have her own life, objects, of course, and then goes on to have a childlike hissy fit about Eve staying in her apartment with her. The very next day – when her father hands down the sentence – a brick is thrown through her office window. Obviously, she won’t be able to work there in person, as it puts everyone else at risk, so off they go to a very large manor (or very small castle, depending on your viewpoint): her childhood home. Where she promptly locks herself in her room. Like a child, instead of a grown woman almost 40 years old.

Eve’s unhappy as well, and gets more people from her boss to help guard the castle, which, from a protection standpoint, is not a bad place to be: clear lines of sight, thick walls, and easy coverage of access points. It’s a dream!

Except Katherine doesn’t want to be there, doesn’t want Eve and her crew on the site, and generally is petulant. She convinces Eve to allow her to attend a charity ball that she’s been organizing for a year, and where she gets people to open their wallets wide, and Eve agrees after determining not that that’s an easy place to protect Katherine but that it means so damn much to her. This would be a signal that you’re allowing your judgement to be impaired because you’re falling in love with he protectee even though there’s no real chemistry going on.

And on that note, one other item: close protection duties mean close and almost always in contact. Alas, here, Eve and Katherine are not particularly close nor in constant contact with one another, so it’s a bit mystifying how these two start falling for one another when they’re also on different sides of things, attitude and royalty-wise, and Katherine has had a stick up her hind end about the lack of need of Eve’s services in the first place.

In any case, they’re on the way back to the castle afterwards, and someone takes a shot at the car, injuring the driver and causing Eve to jump into action, telling Katherine to get down, and taking over driving duties to get them to safety. Katherine is then at the castle, and Eve is off to a briefing with her boss. One again: not close, not in contact.

There are also no questions/discussions given over to the reader about the potshot at the car. Routes are varied, and they never take the same route twice, so how did anyone know? The obvious answer, of course: there’s a mole. Either this does not occur to Eve or her boss, or the reader is left out until later. The former would be rather silly for experienced protection service people, and the latter is, I think, unfair.

Eve, deciding she’s too close to Katherine, feely-wise, decides to hand over protection to someone else, and scoots. Katherine is promptly kidnapped, courtesy of someone ramming the car – again, how does anyone know the route?

Eve and her boss finally realize there’s a mole, and there’s a showdown in Ops, with Eve taking a guy to the floor and punching staples into his back until he gives up the location.

This leads to a bunch of services working together to retrieve Katherine, and Eve is there, leading Katherine out of the warehouse where she’d been stashed (and beaten), and where the head of the organized crime family has pulled a Stupid Thing, by being there on premises so the law can catch him, because daughter for daughter something something, even though his daughter is both not beaten and is also not dead.

So Eve and Katherine are reunited, and are now totally In Love, despite barely seeing one another through the whole book, and also apparently having worked out that whole royal-anti-monarchist thing in record time. The get the HEA, naturally.

As much as I hate the instalove trope, I recognize that it’s a handy way to cut out many chapters of a book and get to the chase, so to speak. But you have to decide what the book is: is it a romance, with occasional flashes of mystery and danger? Or is it primarily a mystery/action/thriller, with occasional romance and/or sexytimes (note: there are no sexytimes in this book)? It’s also fine if it it is both in equal measures, of course. I don’t think this worked on any of the three. There isn’t enough action except at the end for me to believe Katherine is any real danger that couldn’t be averted. There is no chemistry and no romance. The only balance between the two is a distinct lack of either. I’d have read twice the number of pages to get either or both.

It sounds like I’m just pounding on this, but I’m not – I’m just demanding because I want good stories and I want them to make sense. YMMV on every point I’ve made before now, but I imagine the last one is true for everyone.

Two and a half stars out of five, sadly rounded down to two.

Thanks to Bold Stroke Books and NetGalley for the reading copy.

Review: Nowhere to Hide – Faith McClellan #4 (LynDee Walker)

When your Gran’s dearest friend asks you to investigate something, you don’t ask any questions except where and who.

The who, in this case, is Samson the pig, raised by teenager Kelsey from a runt destined to be culled, a la Charlotte’s Web. Samson, as it turns out, is a YouTube star, and Kelsey’s videos keep the entire family afloat. A note here: Samson the Pig is said to have 40 million subscribers. That would make it a larger channel that The DoDo – one of the largest channels devoted to animal videos – which has somewhere around 16 million the last time I checked. So that part rang a bit false, but pulling down 200K a month did not, based on the (imaginary) size of the channel, and assuming a gigantic number of views per video.

Texas Ranger Faith McClellan, in her fourth appearance, dutifully goes to talk to the family. Mom and the son, Kyle, are not home -she’s told they’ve gone off to a hunting cabin. The housekeeper, with an accent that comes and goes, Kelsey, and her (a tad strange) father are able to answer some questions, but many remain – who would do this, and what possible motive could there be? Kelsey, of course, is brokenhearted.

McClellan walks around the house and the scene of the crime, finding a rather large secret of the son’s rather quickly. She learns that the killing was particularly vicious, with blood everywhere and the killer also decapitated the head (now missing). The carcass she loads up in her truck and takes to the morgue for the coroner to look at. She discovers another hog was also killed, although his head was not taken and the family broke down the body and cooked some of it, the rest going into the freezer.

Meanwhile, McClellen also has to do a bunch of wedding0related stuff: dress, caterers, etc. Her overbearing mother is helping – and by helping, I mean basically taking over all of it. Her fiance Graham is assisting her with the case, which she worries might be the beginnings of a serial killer, and that the killer will move up a bracket to start offing people.

The case seems to have a ton of possible suspects: the brother, a jealous girl from school, the father, the boyfriend/not boyfriend. As McClellen fears, people start dying,even as she and Graham start to get a grip on the case. About halfway through it became obvious to me who the killer was, but it was still an enjoyable ride watching McClellan and Graham make their way through to (livestreaming) denouement.

No terrible slow spots, and in this instance, the bad guy infodump at the end is warranted – it is being livestreamed, after all.

Solid four out of five stars. Plus a desire to go back and read the first three in the series, to see how McClellan came to this version of herself.

Thanks to Severn River and NetGalley for the reading copy.

Review: The Girl in the Ground – Nikki Hunt #4 (Stacey Green)

After three months away from the job, FBI agent Nikki Hunt is back in the office, and expected to gradually ease her way back into full duty. That plan takes a detour when she’s tapped to lead the investigation into a heavily pregnant, due any day now surrogate for a rich couple.

Her boyfriend Rory is also having issues after finding skeletal remains on a job site. After they find a locket with the body (as well as fetal remains), Rory becomes suspect number one after it’s clear he knows who the young woman is: a girl he date briefly and then broke up with at graduation. But is the child his? Did he kill her? He doesn’t do himself any favors by being antagonistic to the police.

The FBI and local police continue their search for the mussing surrogate, but there are few clues and fewer leads. Eventually, they make a plea to the public for any information.

I read the first book in this series, but now the two between that one and this. At some point, Nikki’s ex-husband was murdered. After another agent comes to town, claiming to be working on a tax fraud case and Nikki learns that the missing surrogate is also that agent’s confidential informant, Nikki starts going through her ex’s papers, looking for clues as to why he was investigating the owner of a limo service – who has conveniently flown to NY and disappeared.

Nikki gets the scoop on the missing surrogate, who once was held by a sex trafficker for a period of time before she escaped. Is he back now, and reclaiming her?

Nikki and company find more skeletal remains, and more fetal remains with them, and eventually determine how the girls were likely chosen, and based on descriptions given by the missing surrogate, zero in on the likely suspects.

The story is good, and there aren’t any dragging parts, even when the characters are moving between locations. My only dislike is Rory – I get it, his brother was wrongfully accused and imprisoned for something he didn’t do, but Rory should have just lawyered up at the first second the police started sniffing around, so as to relieve some of hi anxiety about being questioned over and over. For their par, the police should have understood why he didn’t want to constantly hear their questions, fearing they would railroad him as they did his brother.

The mystery tied together nicely, and there were some pretty gruesome deaths in this one, so if you don’t have a strong stomach, you might want to skip this one, or at least skim or skip the fire scene.

Overall: a solid four out of five stars.

Thanks to Bookouture and NetGalley for the reading copy.

 

Review: The Perfect Neighborhood (Liz Alterman)

Allison Langley ditches her husband and their supposed perfect life in their perfect house in Oak Hills in the middle of the night. In suburbia, everyone thinks they know your business, so the the tongues start flapping with gossip, true or not.

But then five year old Billy Barnes goes missing while walking home alone one day. Suddenly, everyone is a detective, or a pretender that their own lives are perfect while dumping on Billy’s mom Rachel, whose marriage is rocky and who has a stepson who is as much a jackass as his father Ted, Rachel’s husband, although for different reasons. They also lay blame on 18 year old Cassidy, the babysitter, who was late getting to the house. It’s hard to say if Billy went missing as he was walking home, or if he made it home, and was taken from there. The police can’t find anything, and when they drag the pond, it turns into a neighborhood event, with everyone watching.

Another child goes missing – also under Cassidy’s care, and you can imagine how well that goes over with the neighborhood, which had started to feel sorry for her.

The story is told from various members of the neighborhood, but only the women. That includes Rachel, who is absolutely torn up about her missing boy, Cassidy, who can’t bring herself to tell the truth about why she was late, and Allison, who has escaped the neighborhood for reasons she details in her pieces of the narrative, and who is obsessed by Billy’s disappearance.

The story is interesting – what white bread shark’s nest suburbia isn’t, when they’re ready to chop one another into pieces? – but there was at least one POV chapter I’d have stricken as not adding much to things other than trying to be Cassidy’s conscience. The villain is not entirely out of the blue, and the ending hints at a possible not-sequel-but-next-book sort of thing.

The writing itself is fine, and while there are a couple of draggy bits here and there, I chalk that up to typical going about life things: most peoples’ lives are boring and routine, and sometimes the narrative has to show that.

Three and half out of five stars, rounded up to four, because the book works.

Thanks to Crooked Lane Books and NetGalley for the reading copy.