Tag Archives: women’s fiction

Review: Little Bandaged Days (Kyra Wilder)

Little Bandaged Days follows Erika, mother of two, moving to Geneva, Switzerland with her husband.

The books takes a rather strange construct, with Erika identifying and interacting with other people by using their initials – including her children. I suppose this is some kind of experiment about Erika pushing people away, but it got fairly annoying the deeper into the book I made it. These sorts of literary experiments can be done well and give a good payoff at the end, but this book fell short for me.

Erika doesn’t know the language, and makes no effort at all to learn it. She allows herself to become more and more isolated from the world in which she finds herself, and while I get it’s supposed to be about a woman slowly losing her grasp on her own mental health, I just can’t feel terribly sorry for anyone who knows they need to change x in their lives in order to have a better life, but makes zero effort to change anything at all to get to that betterment, or at least make progress on it.

This popped up for me in the mystery/thriller category, but it’s clearly a general/women’s fiction novel. It reads as if someone stepped up for a dare of writing about a woman spiraling into mental illness with the extra challenge of not naming names.

I did not like the ending, which I will not spoil, and this really sums up my review of this book: didn’t like it. Clearly, it was not for me. Sorry.

Two stars out of five.

Thanks to Abrams and NetGalley for the review copy.

Little Disasters – Sarah Vaughan – review

Note before starting: when I first saw this, it was being billed as a psychological thriller. It doesn’t fall into that category at all. This is more of a non-genre drama with a hint of mystery thrown in.

Liz is a pediatrician working in the ED (that’s the ER, for US readers) when her friend Jess arrives with her 10-month old, who she says has been vomiting. After tests are run, it’s clear the child has a skull injury. Liz has some reservations about the story Jess is telling, and Jess is acting suspiciously. Something doesn’t add up, but Liz rightfully recuses herself from further examination and treatment.

What follows is a story told both in the present and the past, revolving around four women who took a childbirth class at the same time. Liz and Jess are the primary focus, and what we mostly see are glimpses into the lives of the career working woman Liz, and the stay at home, but clearly suffering from postpartum depression, Jess.

As the story winds on, and the authorities and Liz try to puzzle out what really happened, and whether Jess (or Ed, her husband) beat the child or whether it could be just a serious accident, Liz maintains Jess would never hurt her child, but others are not quite so sure.

The ending is one I found completely unexpected but also completely unrealistic, and quite frankly, I felt cheated by it. I’m just not a fan of a bad guy who shows up completely out of nowhere, either because they’ve not been introduced or because they have been introduced, but their actions in the narrative never hint at their actions in the end.

More forgiving readers than I will not mind this. As for me, it takes my rating to 2.5 stars, rounded down to 2.

Thanks to NetGalley and Atria for the reading copy.