This is the fifth (and now final, with the author’s death) book in the Stillhouse Lake series. The first book in the series – also called Stillhouse Lake – had me scratching my head, wondering if I’d read it or any other in this series, as it sounded familiar. As is fairly usual in my case, the answer is no.
Fortunately, it isn’t necessary to have read the genesis of the series in order to understand this one. Even if Ms Caine had not given some quick backstory disguised as the main character’s musings while looking at the photos on the walls in her office, it would have worked just as well as a standalone thriller/mystery. I do think, however, if this books sounds interesting that reading the books in order would be beneficial, for all the little things readers might notice in each book along the way that the author may (judiciously) not mention in the later books, and to witness the growth of the characters as they move through the events of each book.
Warning, content-wise: if you’re easily put off by violence, or descriptions of violence in general, and specifically violence toward children, this is not the book for you. On the other hand, if you’re fine with violence and you like strong female characters, you might want to give it a go.
Heartbreak Bay is a multi-point of view, present tense book., and Gwen, the primary character, is now a private investigator. When Detective Kezia Claremont calls her to come to the scene of a submerged car, she can’t help but go. When the car is extracted, there are two kids, strapped in and drowned, but no sign of the mother, who was driving. This investigation by itself would be enough for a book (or more), and although I picked out the villain when they showed up in the book, this did not detract from an engaging case that tried everyone involved – as it generally is when it involves kids.
There’s a subplot involving an internet rando troll, trying to make Gwen pay for what the troll thinks she did – namely, helping her ex-husband in his serial killing ways. This subplot is ok as a device, but there’s enough stress and pressure in the primary case without it. I didn’t find this as engaging as the primary case, and that may just have to do with things external to the book (like living through the past five years, as I type this, and the sheer tsunami of nonsense online) than it does with he book itself. It does fit pretty well into the larger scope of the book, so I won’t ding it in rating it.
Overall, I found Heartbreak Bay lived up to both the thriller and mystery genres, with fairly tight plotting, good writing, and characters worth writing about.
A solid 4.5 stars out of 5, rounded to a 5 for its good qualities and no major issues.
Thanks to Thomas & Mercer and NetGalley for the review copy.