The Last Exit features two main characters:on is Jen Lu, a cop in a near-future earth where climate change has ravaged the planet and the Russians appear to have taken over DC(?) but we still have a President and Vice resident. The other is Chandler, an AI implant in Lu’s head, who only “lives” for five years.
The world of this future has those in their late 40s and early 50s having a good chance of contracting mad cow disease (bovine spongiform encephalopathy, in this work, changed slightly to become the acronym ROSE). The top scientists have decided it’s because there are too many old people, so the official policy becomes this: a child can receive the treatment for ROSE, but only if their parents decide to exit when they reach their mid 60s. The policy, of course, tends to result in a lot of elder abuse, with parents at time being abused by their children because the parents don’t want to exit. The mega-rich, naturally, live by a different set of rules – they neither have to exit, nor do their children lack for the treatment, should they need it. The adults who seem to live forever are called Timeless, a strata unreachable for the usual day to day population.
Lu hears rumors of something called Eden – she isn’t sure if it’s a place or a treatment, but keeps running into mention of it, usually at murder scenes. She mentions it to her boss, but he tells her to stow it and focus on her job. But with Eden popping up again and again, she can’t help but poke into it, despite the warnings from her boss, and despite the shadowy figures, including a rep from BigPharma, of course, who meet with her precinct to warn of a counterfeit treatment that causes people to age like progeria on steroids, leaving them dead within three days. Conspiracies galore!
The AI, Chandler, seems to be a route through which the author can get to the reader without it being infodumpy, and it does work to an extent. There were a couple of times when I wondered how it could have seen anything if Lu just scanned past something. These were minor issues, though.
Overall, it isn’t a bad mystery, and while the social justice stuff is here, it is not completely in your face, so if you’re of a more conservative bent, it likely won’t be too preachy for you.
Three and a half stars out of five, rounded up to four.
Thanks to Crooked Lane Books and NetGalley for the review copy.